Gareth.T, 揽佬SKAI ISYOURGOD 一笔勾销 《跟悲伤结了帐》 乐坛新生代中两把最具辨识度的声音——Gareth.T 和揽佬 SKAI ISYOURGOD首次在《跟悲伤结了帐》碰撞。 Gareth向来善于把真实赤裸的情感化成令人难忘的旋律，「饶舌神童」揽佬则靠其轻巧而令人上瘾的爆红作品备受喜爱。他们的首次合作宛如一场属于两位年少成名，却仍然为爱心碎的自白。 这首歌如同一场平静的觉悟──并非单纯有关心碎，更多是聚焦于抚平情感的痛苦。歌词带出一切并非顺其而然地结束的，更象是两人在强迫自己放手。而他们都很清楚不可能干脆利落地结束的；而是记忆与自我保护之间永恒的协商。 透过歌曲的制作也反映出这种张力，《跟悲伤结了帐》由 Gareth、Big Spoon、Jacking 和 Patrick Yip 共同制作。副歌由Gareth柔和的钢琴声中贯穿，为揽佬的饶舌部分铺陈逐渐过渡到爵士朦胧的节奏，在之后的章节再度转变为沉重阴暗的Trap音乐。这种过渡与歌曲的核心主题相呼应：反思逐渐强化成为一种自我保护。 Two of the most distinct voices in the new wave — Gareth.T and SKAI ISYOURGOD collide on “No More.” Gareth, known for turning honest emotion into unforgettable melodies, and rap prodigy SKAI, beloved for his effortlessly viral records. Their first collaboration plays like a confession from two twenty-somethings who’ve tasted success yet still can’t quite outrun heartbreak. The song unfolds like a quiet reckoning—less about heartbreak itself, more about settling the emotional tab. Gareth “signs off” from grief by returning the keys, erasing the past and placing his love on a bed of white roses. His writing turns emotional recovery into paperwork, a metaphor for taming an overwhelming emotion with a rigid document. Then SKAI’s verse hits mid-flight, literally. He’s on a plane, deleting memory-stirring songs from playlists, fighting the urge to text the one he shouldn’t. His restraint speaks louder than any dramatic outburst. Together, they weave heartbreak into two textures—one raw, one quiet—but equally piercing. The lyrics feel less like organic closure and more like two people deliberately pushing themselves to let go. Beneath that resolve, both seem aware that closure is never clean; it’s an ongoing negotiation between memory and self-preservation. Their voices orbit each other without ever fully meeting, like two people closing the same chapter from different pages. The song production mirrors that tension. Produced by Gareth, Big Spoon, Jacking, and Patrick Yip, Gareth’s hook drifts over soft pianos, easing into a jazzy, hazy beat for SKAI’s rap, then shifts into a heavy, dark trap in the second verse. The transition mirrors the song’s core theme; reflection gradually hardens into self-protection. The music video, directed by Gareth with Big Spoon and Hanley Chu, leans into that irony. But instead of a sorrowful visual, it channels hip-hop’s late ’90s to mid-2000s flash—Cash Money, Bad Boy, Ruff Ryders, Hot Boys and Dipset—and flips heartbreak into spectacle. Gareth signs his “contract” to leave sadness behind like an NBA draft moment, then joins SKAI for classic rap-video scenes: cruising in a Bentley with friends (a nod to rap’s tradition of car luxury scenes), heavenly all-white shots surrounded by doves straight out of late-’90s, early-2000s R&B, and gritty gym scenes reminiscent of DMX videos. It’s tongue-in-cheek humor, intentionally using optimistic energy to push through the pain. In the end, “No More” doesn’t offer catharsis as much as it acknowledges how love lingers even after you’ve sworn it off. The final moment — where the music video breaks the fourth wall, revealing a raw studio shot beneath layers of CGI — strips the illusion and underscores the truth. The song and video turn sadness into swagger, and closure into something that still feels just slightly unfinished.